For those who want value more than features, Sony's $450 DCR-HC20 (right) is a light, uncluttered camcorder that provides you with the basics (like a decent zoom lens and a comfortable hand grip) and is extremely easy to use. For people who want better-looking video and more control, and who don't mind paying more, Panasonic's $950 PV-DV953 (left) provides excellent video quality, long battery life, and a set of advanced features to make shooting video easier.

We informally tested two camcorders that store video on SD cards: the $800 Fisher FVD-C1 Pocket CameraCorder and the $700 Panasonic SV-AV100. Both come with a 512MB SD card that can hold up to an hour of video and are smaller than any of the videotape counterparts we reviewed, measuring just over 1 inch thick, 4 inches high, and 3 inches wide, and weighing around 6 ounces.
In our trials, both the FVD-C1 and the SV-AV100 produced reasonably good video, but neither model's output was nearly as good as the video produced by even the cheapest tape camcorder. Compression artifacts produced blocky, occasionally jerky video. SD media cards aren't cheap, either. Expect to pay around $200 for an extra 512MB SD card; by comparison, a MiniDV tape that holds 90 minutes of video costs around $10. So while tapeless camcorders are certainly interesting devices, tape-based camcorders still triumph on both video quality and cost.

Overall, though, even these models don't perform as well as comparable digital still cameras. The Panasonic's shots were fairly sharp, but colors were a bit off. The Samsung's shots had better color and were sharper. But neither camcorder's images stacked up to those of the 3.2-megapixel Nikon Coolpix 3700 (a Best Buy last month).
Both of these camcorders are big and heavy, and they relegate photo functions to secondary buttons and hard-to-locate menus. To take a photo with the PV-DV953, you have to switch to camera mode and press a tiny button on the top of the body. With the SCD5000, you must rotate a portion of the camcorder's body 180 degrees to put it into still-image mode.
In a pinch, photo capabilities are nice to have in a camcorder, but it's still best to keep the pudding away from the peas--and separate your picture taking from your video recording.
Bryan Hastings is a freelance writer and cameraman. Richard Baguley is a senior associate editor and Alan Stafford a senior editor for PC World.
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