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Sony Alpha DSLR-A100K Digital Camera w/ 18-70mm Lens (10.2MP, 3872 x 2592)

78

Good

  • Pros
  • Very good image quality
  • Good lens selection
  • Cons
  • Lenses are expensive
  • Sensor-based stabilization not optimal
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Sony Alpha DSLR-A100K Digital Camera w/ 18-70mm Lens (10.2MP, 3872 x 2592) Review

by Ben Long

Sony's first digital SLR is a solid, full-featured performer.

Sony's DSLR-Alpha 100K--or Alpha 100--is a full-featured, 10.2-megapixel digital SLR with built-in shake reduction technology.

Built with technology acquired from now-defunct Konica/Minolta, Sony's first digital SLR sports Minolta's signature Maxxum lens mount (which Sony has renamed "AlphaMount"), making it compatible with a multitude of legacy Minolta lenses. The company has also announced 19 new Sony lenses (many of them based on existing Minolta lenses).

Priced at $1000 (as of November 6, 2006) for the body plus an 18mm-to-70mm lens, the Alpha 100 sits at the high end of the entry-level market. Its all-plastic body and smooth finish feel sturdy and creak-free. Though the Alpha 100 is small for an SLR, it is lightweight and comfortable to hold.

The Alpha 100 packs a full set of features, including priority modes, full manual, program modes, and scene modes. In lieu of a dedicated status LCD screen, the camera relies on its main 2.5-inch LCD monitor; if you place your eye on the viewfinder while the screen is on, the screen immediately shuts off, powering up again when you remove your eye from the viewfinder. As on most entry-level SLRs, you adjust features via a combination of buttons and simple menus on the camera's main LCD screen. The Alpha 100's scheme is as straightforward and easy to use as that of any of its competitors.

The features you'd expect in an SLR are here: ISO speeds of 100 to 1600, easy access to exposure compensation, a program shift feature, and Raw format support. In addition, the Alpha 100 offers a continuous autofocus mode that constantly refocuses as you move the camera--as long as you are looking through the viewfinder. In a rapidly changing environment, this feature improves the camera's likelihood of being in focus when you're ready to shoot. The Alpha 100's autofocus produces strange clunking and grinding noises while in use; so if you value silent operation, this Sony may not be the right camera for you.

The Alpha 100 has a sensor-based stabilization system, which Sony claims yields 3.5 stops of stabilization. I found the number of stops to be closer to 1.5 or 2--not as impressive as on cameras with lens-based stabilization. The stabilization system also functions as a dust-removal system, but the dust-removal cycle runs only when you power the camera off, for faster startup times.

The camera delivered speedy boot-up and wake-from-sleep times, plus very low shutter lag. Its drive mode was speedy, too, capturing 3 frames per second for six frames when shooting Raw images, and letting us shoot unlimited JPEG images until our card filled up.

For storage Sony wisely opted to use CompactFlash technology, rather than its own MemoryStick. Owners of MemoryStick Duos can buy a CompactFlash adapter that will enable them to use their current media in the camera.

The Alpha 100 delivered high image quality overall. In shots taken at ISO 100 to 400, image quality was very good--comparable to that of other entry-level SLRs. At ISO 800 to 1600, however, the Alpha 100 got noisy.

The Sony DSLR-Alpha 100K is a very good but somewhat pricey camera. Despite feeling clunkier than its competitors, it delivers good image quality and a full feature set, plus some nice extras such as image stabilization.

Ben Long

User Reviews for Sony Alpha DSLR-A100K Digital Camera w/ 18-70mm Lens (10.2MP, 3872 x 2592)

  • Reviewed by: ufahad

    Duration of ownership: 8 Months

    Strengths: Very Good image quality, easy to use, inexpensive

    Weaknesses: lens are expansive

    Overall Evaluation: you dont know why peple perfer nikon or cannon over it, beacuse in case of price this is best camrea.

  • Reviewed by: touristguy87

    Duration of ownership:

    Strengths: The super steady shot works down to 2s handheldSupports auto-ISO in the manual shooting modes, very nice, Rebel XTi doesn't do that.

    Weaknesses: Too many buttons, dials and switches, all over the camera. Menu system is kind of goofy. ISO difficult to adjust compared to RebelNoisy as hell, ISO800-1600

    Overall Evaluation: I tried this in CC and I have to say that I was impressed with the low-speed performance, and the 17-85 is a nice range. I was able to get very usable, if a little soft, shots down to 2s and maybe they were soft because I ended up having to shoot ISO80 F22 to get down to 2s exposures in the CC showroom, but who knows. I almost bought one just to try it out for real (but I was going to go for the 18-200 package). What stopped me was the noise at ISO800-1600. There is some really nasty vertical streak noise in this camera at ISO1600 even at ISO800. I measured it in Neat Image shooting RAW and it is 14.something at ISO1600, 8.something at ISO800...these numbers are 50% more than my S2 at "ISO400" and "ISO200" (another story there, they are more like ISO800 and 400). They are twice the noise values at the same ISO for my Rebel XTi...shooting RAW. This set up a direct dilemma between the Rebel XTi, which I had already, and the A100. Shoot the A100 ISO80-400 leaving ISO800 for emergencies, use the SSS IS system and never have to buy an IS lens, or, buy IS lenses for the Rebel, at about a 50% premium for the lens over a non-IS lens, and be able to shoot it ISO100-1600 without ever worrying about noise (just the in-camera NR, so I'd really want to get a big CF card and shoot RAW at high ISOs). The problem for the A100 is that the Rebel is SO clean that I can shoot it ISO1600 RAW and not even need to use NR on it (of course, doing so reduces the file size because it cuts the noise level in the file). There is no way that I would want to shoot this camera at ISO1600. And I am hardly a "purist". I have other P&Ss that make plenty of noise at ISO400...this camera was by far the worst. It has alternating blue and brown streaks of noise, running vertically over the shadow and mid-tones of the image, at ISO800 and 1600. If you can avoid those speeds, you will get a decent camera in the A100. For me, I preferred to pay a few hundred extra and get lens-based IS (the SSS shots were still a little soft, viewed at 100%, even if I had no business getting *anything* out of the camera at those speeds handheld and the camera did produce a good shot, it wasn't tack sharp below about 1-5 s) and most of all, a very good, very clean sensor in the Rebel.I will bet that the next version of the A100 will not have this problem and will be a much better DSLR. This one will sell well, anyway. But "purists" won't buy it because of the noise. In my opinion, it really isn't that much better than an S2, if indeed it *is* better than an s2. It all depends on what you think when you read "ISO80-1600". No doubt this is bigger, heavier and a lot more expensive than an S2, with a much shorter zoom range even if you go with the 18-200 package.

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Best Prices on Sony Alpha DSLR-A100K Digital Camera w/ 18-70mm Lens (10.2MP, 3872 x 2592)

Best Prices on Sony Alpha DSLR-A100K Digital Camera w/ 18-70mm Lens (10.2MP, 3872 x 2592)