Sony DSLR-A700

Complex the A700 certainly is--it probably has more exposure controls than any other DSLR I've seen to date. That said, the camera's ease of use is still exceptionally good: Like most current DSLRs, it has fore and aft selector dials for quickly changing shutter speeds, aperture values, and exposure compensation. But it also has a healthy number of nicely placed, well-labeled, dedicated buttons for key controls such as white balance, drive mode, ISO setting, and metering modes.

My favorite feature, however, is the Function button on the back of the camera. In shooting mode, the A700 displays a comprehensive summary of your exposure settings on its 3-inch LCD. By pressing the Function button, then working the mini-joystick and the selector dials, you can directly select and change any of the displayed settings right on the screen. It's extremely quick and intuitive.

Other high points for the A700 include slots for both Memory Stick Pro Duo and Compact Flash media; built-in optical image stabilization that works with all of Sony's Alpha lenses; five-frames-per-second burst shooting; three memory registers for custom user settings; plus a wireless remote and an HDMI port for viewing your images on a high-definition display.

Image bracketing options in the A700 are extensive: In addition to the usual automatic exposure bracketing, it has white balance, flash bracketing with one shot, and two levels of dynamic-range bracketing. This latter feature is useful in scenes with extremely high contrast. In a test shot that included the interior of a room and a window with a bright outdoor scene, turning up the dynamic range greatly improved shadow detail, though with a slight overexposure of the highlights.

My informal test shots with the A700 were mostly up to expectations. I was impressed with their overall sharpness, especially in macro (close-up) images. In photos with deep shadow and bright highlights, the A700 delivered significantly more shadow detail than did the Panasonic Lumix DMC-L10K, the Samsung GX-10, or my Canon 30D reference camera. Color balance seemed a bit erratic, though: A scene taken in late afternoon sun with automatic white balance had a distinct blue/magenta cast. However, switching to daylight white balance produced accurate colors. In other shots, auto white balance produced perfectly acceptable colors. In our lab tests, the A700 earned high marks for exposure accuracy and for image sharpness, but it scored a bit below average for color accuracy.

Disappointingly, the image editing and image management software package Sony has bundled does a disservice to its camera. The three apps are poorly integrated, and are a mishmash of the overly simple and overly complex. The Image Data Converter SR application, for example, has a plethora of tools for editing and processing RAW format images--but almost nothing for editing JPEG-based shots. For that, you have to go to the relatively low-end Sony Picture Motion Browser app, which is obviously more suitable for the company's point-and-shoot models. And while the RAW application comes in both Mac and Windows versions, Picture Motion Browser is Windows only. (That's not a big concern, though, because Apple's free iPhoto is a far better application.) The third application is the Image Data Lightbox SR, another simple app for viewing and organizing your photos.

With its sharp, 12-megapixel imaging and with more exposure controls than most photographers--amateur or professional--will likely use, the beefy and finely designed A700 rises to nearly pro-level photography, making it well worth its $1900 price tag. It is limited mostly by its relatively narrow range of available lenses and accessories.

Visit our Top 5 SLR Cameras chart and our Cameras Info Center.

--Tracey Capen